Tuesday, December 30, 2014

What Child Is This

By Ellen (@fringecomix)


In the days after Etta disappeared inside it without a trace, Massive Dynamic scientists stepped in to try and analyze the machine and what had gone wrong with it, and Fringe Division did what they could to mount a search for Etta. But no one had any idea where the machine could have transported her… or if she even still existed.

Peter tore the machine apart with his bare hands, until his guilt and grief over his lost child left him unable to function.

Olivia held out hope in her belief that Etta had merely been transported to the other side. In desperation, she went to the opera house, hoping the thin spot between the universes was still there… and that somehow, there was enough ability still in her to enable her to cross over and rescue her daughter.

She could still hear Walter’s voice, telling her what to do.

“I want you to think back to when you were just young boys and girls. Think back to when your imagination could take you wherever you wanted to go. Imagine this universe slipping away, opening like a curtain. Allow the universe to pass right through you…”

For a moment, she felt she had somehow succeeded in bringing Henrietta back, and opened her eyes and called out her name.

But then her eyes readjusted to the light, and instead of Etta, she realized she was looking at a boy about her daughter’s age. A boy who looked as if every universe had passed right through him.
This picture is part of the Fringe Forward Project, an ongoing monthly series of speculative art.

Friday, December 26, 2014

Working with J.J. Abrams and Tommy Gormley

By Stephen Tulley (@Stephen_Tulley)

If my last post about working the cast members from Fringe seemed a bit terse at the end it was too long to be posted as a whole and was edited for this blog. This is the continuation of that post focusing instead on someone I am sure the entire Fringe fandom knows quite well.

J.J. Abrams
And although not one of the actors of Fringe, I’ve been privileged to have worked on sets directed by J.J. Abrams, so I’m including a couple humorous stories about him too.

In 2009 J.J. directed another unaired pilot, this time a medical drama called “Anatomy of Hope” where I was cast as a physician in a white lab coat walking the hospital hallways, checking on patients, etc. All very easy stuff to do.

Another background actor cast as one of the nurses seemed to be in shock after a certain take. So before we began filming again I asked her what the problem was. Her reply:

“Well, I was talking to this PA (production assistant) and he began asking me about which comic books I liked best, and science fiction shows, and stuff. Then I heard ‘picture’s up’ and I told him I had to a cross in front of the camera at the top of the scene. So he said, ‘Yeah, I have to work too’ and he jumped into the Director’s chair at video village.”

That “PA” was J.J. Abrams, but at the time she didn’t know who he was!

I also worked many days on J.J.’s movie “Super 8” (2011) including the opening scene at the wake set in West Virginia. In a house set with about 30 extras not everyone is on camera for every set-up. So when a new angle is being filmed, if you’re not being used you try to ease out of everyone’s way, preferably just leaving the set until you’re needed. In this case I tried to exit the set down a very narrow hallway leading to the lead character’s bedroom, but when I tried to find an exit…there was none! So I turned around to look for another just as J.J. was setting up two large flat screen camera monitors on a stand to look at the camera feed and as I tried to squeeze through the passage they began “rolling” (i.e., filming). There’s a joke on set about how many people try to peer over the shoulder of a director at video village to watch the monitors, but on that day it actually was just me looking over J.J.’s shoulder for almost an hour! Film school students would have paid top-dollar for that experience.

In the plot line of Super 8 the entire town is evacuated by the military. In many of those scenes I was hired to use my 1968 Chevy Chevelle/Malibu. There is a small group of union background actors who are often hired to do precision driving on period movies and TV shows. One day they filmed over 400 extras inside a terminal being loaded onto buses to be evacuated. About 20 of us with classic cars were patiently waiting outside for some scenes to be shot using our cars. It kept getting later, and later, and darker. Suddenly, at the other end of the lot J.J. burst out of one of the doors of the set and began holding up his hands in a square as if framing the next set-up, and this was just about sundown. His Director of Photography followed him in tow, pulled out his light meter and held it high, only to shake his head “No” to J.J.! It was just too dark.

The transportation coordinator whom the drivers had been chatting with all day waiting for this shot turned to us an announced, “You are all recalled for tomorrow!”

The following morning we did lots of takes with the cars, because in the story the kids escape from the evacuation center hiding behind all those parked cars. As J.J. was setting up one shot he walked through the cars with his DP indicating what he wanted the camera operator, who would be using a steady-cam, to do.

One of our fellow drivers was helping a friend replace a distributor cap in his engine, so the hood (“bonnet” in Commonwealth English) was up. J.J. asked him, “Can you please lower that?” Answer: “Of course Mister Abrams…I’ll be done in just a minute.”

Now I have worked with directors who would have become enraged over something like that (and rightly so), but it did not phase J.J. one bit, he just kept on setting up the scene as he wanted it!


Tommy Gormley
Finally, in one of the scenes inside the evacuation center we were given some directions by the 1st Assistant Director Tommy Gormley. Fringe fans might remember that Tommy directed 5.09 “Black Blotter” but might not know that for years now he has served as the 1st AD on every movie J.J. directs and is highly respected in the industry. Tommy, though, is a good Scot, and has a very, very thick Scottish brogue. On this particular day he grabbed a speaker and announced to us all:

“Background…Background…Now (something unintelligibly Scottish) and then (something else unintelligibly Scottish).” Then he clapped his hands and said, “Let’s do this!”

I turned to one of my friends. “Did you understand that?” “Not a word. I’m going to do what we always do.” And we did!

Tommy also had the habit of trying to “hurry up” J.J. to take the shot by motioning as if he were filming an old silent-era hand-cranked camera. I thought this was just a peculiar mannerism on his part, but have since learned from friends who have worked on sets in Europe that this is a common gesture in that part of the world.

So that’s what it’s like working with some of the people who brought you Fringe from other sets, and a little bit more insight into what it’s like to work on camera.

Friday, December 19, 2014

The Best Fringe Tour Ever - Part 2 (out of 9)

By Danna Aissa (@DannaAissa)

Last Summer @Odunham4life and her husband wanted to do a Fringe tour in Vancouver for their wedding anniversary. I had been in Vancouver a couple of months before, so she asked for my advice and I provided her with all the information I had been gathering about Fringe filming locations (I published a post about that, click here). She put together all the information from the different sources and prepared the best Fringe tour ever!

On her return, she tweeted lots of pics comparing stills from the show with pics from the real Vancouver, but you know how Twitter is, everything happens very fast and those tweets are now buried and forgotten, so I thought about writing some posts and keeping them handy. I have her permission to do it, of course! ;P




2x11 Johari Window
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Location: Chemistry Buildidng, UBC, Vancouver



2x13 The Bishop Revival
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Location: www.sciue.ca


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Location: Chan Centre for the Performing Arts


2x14 Jacksonville
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Location: Richmond International High School & College


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Location: The Captain French Hotel



2x15 Peter

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Location: Park Theatre, Vancouver


2x16 Olivia. In The Lab. With the Revolver

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Location: www.incendio.ca



2x17 White Tulip

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Location: Stanley Park, Vancouver



2x18 The Man From The Other Side

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2x20 Northwest Passage
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2x21 Over There

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Location: www.orpheum-theater.com

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Location: www.sylviahotel.com

More pics every two Fridays :)

Friday, December 12, 2014

Working With Leads And Cast Members Of Fringe

By Stephen Tulley (@Stephen_Tulley)


Readers of my previous post know that since I work as a background actor, stand-in, and precision driver in Hollywood I sometimes get the opportunity to work with actors or directors I admire. I consider those to be special and memorable days at work. But since I’m also a serious Fringie, I’m also always on the lookout for actors who had roles in Fringe. It’s a little game I play, much like the Six Degrees of Kevin Bacon game, “How many actors have I worked with who were in Fringe?” Some of these predate Fringe, and others during the airing of the series, but here are my experiences with a great cast of actors.


Seth Gabel
As Season 4 of Fringe unfolded I kept thinking to myself that Seth Gabel looked really familiar, not just having appeared in previous episodes. About halfway through the season I had an epiphany… I had actually worked a scene with Seth on an unaired pilot back in 2006, it just took me that long to remember it!

Until recently networks often ordered a slew of pilots and then chose which ones to put to series, usually a fraction of what had been filmed. It was very expensive for the networks, but great for actors and crew members. There used to be a spring “pilot season” when it was not uncommon to work 12 hours days six days a week. That has all changed with the recession.

“Beyond” was a pilot for Fox that was never aired, but it centered on scientists at the Jet Propulsion Laboratory building a probe to destroy a meteor hurdling towards earth containing deadly pathogens. Seth played one of the scientists and in one scene he walked around this device in the lab set looking at the other scientists (meaning me and bunch of other people) wearing white protective hazmat suites. And yes, even though we were on an air conditioned sound stage it was very hot in those hazmat suites.

And since this was in April 2006 we filmed the pilot during Passover and I remember one day production had set up a Passover table on stage for Seth, the producers, and other actors.


Jasika Nicole
It wasn’t until Fringe had been on for a couple seasons that in doing some research I discovered that I had worked a scene in yet-another unaired comedy pilot that Jasika starred in. The “Mastersons of Manhattan” was a multi-camera sitcom pilot for NBC that never got picked up. Here’s part of an early review from TheFutonCritic.com, a site which tracks and reviews pilots for TV:

“And last, but not least, there's Amanda's boy-trapped-in-a-girl's body daughter (apologies as I didn't recognize the actress) and Penny (Jasika Nicole), a nurse/struggling actress who's been taking care of the Mastersons' ill father while also carrying on a affair with Roger and plotting the Mastersons' downfall with her real lover - Bobby!”

My role was a juror in a courtroom, but the cameras were all behind all our heads, so we were just silhouettes on film. Unfortunately, I don’t remember if Jasika was in that particular scene. I should note that multi-camera shoots are very different creatures than single-camera shows like Fringe. It’s much more like theater. Shot almost entirely on sound stages there are usually four cameras rolling at one time. In traditional sitcoms, like “Mastersons,” all the scenes are rehearsed then filmed in sequence in front of a live studio audience. Current sitcoms sometimes contain pre-shot scenes, but those are aired on TV’s for the studio audience to understand the continuity of story.

As for background actors, when not rehearsing a scene we are holding up in the bleachers where the audience sits for the taping. So, for a full day I got to watch all of the scenes being rehearsed, both in front of me in person and on the TV’s above.


John Noble
I know that when the pilot of Fringe aired most people said, “Aha..that’s the actor who played Denethor of Gondor on Lord of the Rings.” I, on the other hand, said, “Aha…that’s the actor who played Russian Consul General Anatoly Markov on my episode of 24!”

While I would love to state that I worked a scene with John Noble, I can’t, but we did appear in the same episode of 24 and both our characters were connected in the storyline.

In 2006 I was cast to be *the* Secret Service Agent guarding ex-First Lady Martha Logan (Jean Smart) in episode 6.13 of 24 (6 p.m. – 7 p.m.) at her elite sanatorium. Her ex, former President Charles Logan (Greg Itzen) comes to ask her help contacting the Russian Premier’s wife as Jack Bauer has locked himself in the Russian Consulate and extracted information from the nefarious Markov (John Noble) but cutting off the tip of his finger with a cigar cutter.

In a fit of rage Martha stabs Logan in the neck and the Secret Service agents scramble to aide him. At the end of the scene you can hear the line, “Agent Tulley! Get in here!”

Sadly, it was two different sets of scenes filmed in two different locations on different days of the shooting schedule, but all for the same episode… There, but not there… Kind of like being in the other universe.


What irks me the most is not working with John in a scene together, although I did get to work with Jean Smart (which I consider an honor), but that the exterior shots of the Russian Consulate were filmed at Craven Estates…in my native city of Pasadena, California! I should also add that our director was Jon Cassar, who went on to direct 5.06 “Through the Looking Glass and What Walter Found There.”


Mark Valley
The John Scott character has always been controversial among Fringe fans, including the fact that in real-life Mark is Anna Torv’s ex. But for both seasons of the legal drama “Harry’s Law” he played attorney Oliver Richard for 22 episodes.

I’ll be honest with you…courtroom scenes are the most boring scenes to work! Unless you have lines you have to sit for hours on end listening to the same dialog over and over again, all the while looking alert and pretending to be hearing it for the first time. I got stuck in the visitor’s galley right behind Mark at the defendant’s table for one episode in which we filmed for 10+ hours a day for three straight days. And Mark had not one word of dialog.

So you might ask what do actors do in that case? Well, for Mark he texted a lot between takes up to the point when an AD would come up to him and state, “Uh, Sir? We are rolling now.” And then he hid his phone under the table until we cut.


Marcus Giamatti
In 3.04 “Do Shapeshifters Dream of Electric Sheep” Marcus portrayed our favorite conflicted shapeshifter Officer Ray Duffy. Not that long ago I was cast in a funeral scene for a very small independent movie “The Curse of Downer’s Grove” which according to the production notes has been completed but no information yet on releases.

I was asked by the director to step-in and fill the role of the pastor at the grave site. Since I didn’t get my hands on a call sheet I don’t know exactly what Marcus’ role was in the movie, but he was one of the mourners. But, this is what small-budget means: props didn’t have a bible, so one of the prop assistants spray painted one of her college text books and taped a cross on it for me to use.

It rained a lot that day so I’m sure many set-ups were cancelled or changed. Now on set I don’t normally chat-up the “first teamers” (aka, the lead actors) since they are there to work, and in fact every person on the set has a specific job to do, so most idle chat is done on lunch break or after wrap, but I appreciate his work so he is one of the cast members I would have approached and thanked him for giving us the shapeshifter who just wanted to live with his family.


Evan Bird
There are simply sometimes in the business when you show up to set and aren’t used. That was the case with the movie “Maps to the Stars” where I had been booked to be a traveler with my contemporary car. We were filming in the parking lot of historic Union Station in downtown Los Angeles and after the AD’s were going to have me drive through camera frame for this particular scene, they changed their minds. As we were broken to go to lunch at catering, I saw Evan Bird walk right by me chatting with one of the AD’s and my first thought was “Hey! That’s the kid, Aaron Sneddon from 4.03 ‘Alone in the World’ just taller!” Since I couldn’t get my hands on a call sheet I didn’t know how many scenes he had that day.


John Pyper-Ferguson
When episode 4.02 “One Night in October” aired I was happy to see John cast as “Dr. & Killer” John McClennan. If you read my previous post about DP Tom Yatsko you’ll know I stood-in on Brothers & Sisters for a couple seasons. John portrayed Joe Whedon, who was married to the character Sarah Walker (played by Rachel Griffiths) during this time. All those large Walker family scenes that were filmed in the first two seasons had at least 11 stand-ins, and many times I was sitting across a table or a couch from John waiting for my actor to arrive on set.


Friday, December 5, 2014

The Best Fringe Tour Ever - Part 1 (out of 9)


By Danna Aissa (@DannaAissa)

Last Summer @Odunham4life and her husband wanted to do a Fringe tour in Vancouver for their wedding anniversary. I had been in Vancouver a couple of months before, so she asked for my advice and I provided her with all the information I had been gathering about Fringe filming locations (I published a post about that, click here). She put together all the information from the different sources and prepared the best Fringe tour ever!

On her return, she tweeted lots of pics comparing stills from the show with pics from the real Vancouver, but you know how Twitter is, everything happens very fast and those tweets are now buried and forgotten, so I thought about writing some posts and keeping them handy. I have her permission to do it, of course! ;P


SEASON 2

2x01 A New Day In The Old Town





2x03 Fracture
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2x04 Momentum Deferred

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2x07 Of Human Action

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2x08 August
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Location: www.chancentre.com



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Location: www.pne.ca/playland



2x10 Grey Matters

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More pics of Dunham4life's tour every two Fridays :)